Monday, September 28, 2020
Favorite websites in review, part 15
Over the past dozen years or so, Tech-media-tainment has shined a spotlight on nearly 400 interesting and entertaining websites.
What follows is the latest roundup of 20 websites given the seal of approval by Tech-media-tainment.
351. Postmodern Jukebox channel on YouTube (youtube.com/user/ScottBradleeLovesYa/featured)
352. Honest Trailers (youtube.com/playlist?list=PL86F4D497FD3CACCE)
353. Litquidity (instagram.com/litquidity)
354. Cat Memes Only (cat-memes-only.tumblr.com)
355. Culture+Typography (nikkivillagomez.wordpress.com)
356. Titania McGrath (twitter.com/TitaniaMcGrath)
357. Kobe Bryant Mural Locations (kobemural.com)
358. Worldometer (worldometers.info)
359. The Numbers (the-numbers.com)
360. First Showing (firstshowing.net)
361. Daily Mail (dailymail.co.uk/ushome/index.html)
362. SmartNews (smartnews.com)
363. Subpar Parks (instagram.com/subparparks)
364. Beauty False (instagram.com/beauty.false)
365. Typos of the New York Times (twitter.com/nyttypos)
366. Six-Word Memoirs (sixwordmemoirs.com)
367. Soup.io
368. Loforo (loforo.com)
369. Flickr (flickr.com)
370. Consumer Reports (consumerreports.org)
Photos: U.S. National Park artwork called Subpar Parks by Amber Share.
Subpar Parks, Beauty False and other interesting websites
Some of the most interesting websites these days are created as accounts on Instagram and Twitter. They focus on one niche subject.
What follows are a few of those websites, plus some other websites that I’ve found useful.
Subpar Parks
Graphic designer Amber Share creates funny posters of U.S. national parks using short phrases from one-star reviews by unsatisfied visitors. She posts them on her Instagram site Subpar Parks. (See article on Adweek and sample artwork above.)
Beauty False
The Instagram account Beauty False is dedicated to showing you how celebrities and Instagram influencers look without layers of makeup and heavy photo editing. (See example above showing Natalie Halcro. Also check out this article by Bored Panda.)
Typos of the New York Times
An anonymous lawyer corrects typos from the New York Times through a Twitter account. The Times dissolved its copy desk in 2017, which permitted more typos and other mistakes to slip through. Check out the website Typos of the New York Times. (See article on the Ringer.)
Six-Word Memoirs
Larry Smith launched the Six-Word Memoir concept in November 2006 as a simple online challenge asking: Can you tell your life story in six words? In doing so, he anticipated the microblogging explosion. The experiment led to a website, which begat a bestselling book series and other business opportunities. (See recent New York Times article.)
Loforo
When microblogging service Soup.io went under, Loforo stepped up to transfer users’ websites to its service. For that, I applaud them. Loforo is an easy-to-use platform that promises to be a better version of what Tumblr once was.
Flickr
I’ve been using online photo-hosting service Flickr since May 2005. The company has changed hands a couple of times since then. Current owner SmugMug acquired Flickr from Verizon in April 2018.
The service is facing tough competition from free photo-hosting services at Google and Facebook. But I still like the organizational tools at Flickr better than the alternatives.
Consumer Reports
Consumer Reports provides a vital service for consumers by giving unbiased reviews of products. I always consult Consumer Reports before buying equipment such as a lawn mower, barbecue grill or vacuum cleaner.
Wednesday, September 23, 2020
‘Love and Monsters’ to end post-apocalyptic movie drought
The Covid-19 pandemic has mostly shut down new theatrical movie releases. So new movies are showing up as premium and subscription video-on-demand releases. That’s true for the subgenre of post-apocalyptic themed movies as well.
It’s been a quiet year for new releases in the subgenre. So far, there’s been only one significant release – “Only,” starring Freida Pinto and Leslie Odom Jr.
The underrated drama had a short theatrical release in early March before finding a wider audience on streaming service Netflix in July. The haunting film depicts a couple’s relationship in the aftermath of a virus that kills most of the women in the world.
Next up is “Love and Monsters,” a post-apocalyptic action romantic comedy starring Dylan O’Brien. Originally set for a theatrical release, “Love and Monsters” instead will be a premium video-on-demand release on Oct. 16.
The Paramount Pictures film is set seven years after the “monsterpocalypse,” which forced the remnants of humanity to seek shelter underground after giant creatures took control of the land.
Other apocalyptic and post-apocalyptic movies on the way include “Greenland,” “A Quiet Place Part 2” and “BIOS.”
Related reading:
The complete post-apocalyptic movie list
Photos: Scene from “Love and Monsters” (top); poster for “Only.”
Friday, September 18, 2020
What CES 2021 can learn from other virtual conferences
I have attended every CES conference in Las Vegas since 2000 and was disappointed when the coronavirus pandemic turned CES 2021 into an online-only show. I understand the reasoning for the change but was still saddened by the news.
CES, still known as the Consumer Electronics Show to many, is a massive spectacle.
From the giant exhibit halls full of exciting technology and devices to the promotional stunts of companies trying to make a splash, it must be experienced firsthand.
Beyond the expo floor, there are keynote speeches by major industry figures, panel discussions about trends, and private parties galore, all taking place in the crazy city of Las Vegas.
Shrinking all that down to a computer screen is bound to disappoint.
I can’t speak to the impact on the business-to-business nature of the show, but I can address it from my perspective as a journalist.
Based on what I’ve seen from covering some online conferences and corporate press events these last few months, I have some opinions about what CES 2021 needs from a news perspective.
First, as the premier technology-focused event, CES 2021 needs to be best-in-class in terms of its online format. That means the best video and audio production and streaming, the best website organization, the best scheduling tools and more. Based on the CES website from past shows, I’m not confident they can pull this off.
Second, CES 2021 needs to consider that people aren’t going to sit at their desks all day. After all, the same pandemic that brought Zoom teleconferencing to prominence also led to the term “Zoom fatigue.”
When I’m covering CES in person, it gets my undivided attention for a week. I don’t get much sleep during the show because there is so much going on. That won’t be the case with a virtual show. Stuck in my office, I’ll have other demands for my time and attention, not just CES-related stuff. So, CES 2021 should be a more focused show.
The CES 2021 keynote presentations should learn from Apple’s recent online events. Apple’s WWDC keynote and fall product launch event used slick, cinematic videos. Those videos were both entertaining and informative. They were available to watch at a scheduled time for news value and then available for on-demand viewing.
I would envision the back-to-back press conferences of CES 2021 media day to be just like that as well. High-quality prerecorded videos trump the novelty of being live. Again, on-demand playback is critical in case viewers have scheduling conflicts.
Interviews with newsmakers as well as panel discussions on major trends and issues should be live, however. Plus, I’d love to see a real-time feedback mechanism so you can read what other viewers think during the video presentations, even if it’s just funny asides in a Twitch-style chat format. Once again, these live videos should be available later for on-demand playback.
Companies should have the ability to do live presentations of their products from the virtual expo floor. These should be scheduled throughout the conference. This is especially important for companies that don’t get slotted for media day.
The first test of what CES organizers are capable of will come on Oct. 15 when the Consumer Technology Association holds its CES Unveiled conference. It canceled two in-person events in Europe for one all-digital event. The in-person events had been scheduled for Oct. 7 in Paris and Oct. 15-16 in Amsterdam.
CES 2021 is scheduled for Monday Jan. 11 through Thursday Jan. 14. Keynote speakers already announced include AMD Chief Executive Lisa Su and Verizon Chief Executive Hans Vestberg. Both have delivered keynotes at in-person CES shows.
Related reading:
Freed of CES, It’s Time to Get the Consumer Back Into Consumer Electronics (Ray Hartjen; Sept. 16, 2020)
What Will A Virtual CES Look Like? (TWICE; Aug. 30, 2020)
What will a virtual CES 2021 be like? (Tech-media-tainment; Aug. 1, 2020)
Giant 2021 Consumer Electronics Show In Las Vegas Cancelled By Covid-19, To Go All-Digital (Forbes; July 29, 2020)
Wednesday, September 16, 2020
Home offices get upgrade after coronavirus pandemic
Before the coronavirus pandemic, home offices were mostly an afterthought for consumers. Now, with many companies having employees work from home, people are rethinking those spaces.
Professional electronics installers are seeing an uptick in business from customers wanting to outfit their home with the best tech for telework, according to a panel discussion at the CEDIA Expo virtual conference on Tuesday.
The Custom Electronic Design & Installation Association is holding its annual conference online this year because of the Covid-19 crisis.
The CEDIA Expo traditionally has been focused on home theaters, audio systems and smart home technologies. But this year, it addressed the home office category because of growing interest from customers.
“It’s really a growth category like none other,” said Jason Knott, chief content officer at CE Pro. “That trend is going to continue after the pandemic is over because a lot of people are going to realize they may not need to be in a commercial office setting to get their work done.”
Many people never realized they needed a home office before the pandemic, he said.
“A lot of my coworkers were working at their kitchen tables when this whole thing started,” Knott said. “And that got old really fast.”
Today the home office is much more than a desk and a computer. Many people are trying to imitate their commercial office environment with multiple screens, superfast internet and professional cyber security.
With the growth of Zoom and other teleconferencing apps, people needed to get high-quality webcams, headsets, microphones and better lighting.
Some people are adding soundproofing to their home office for a quieter setting, Knott said.
Joining Knott on the Tech Talk panel called “Rise of the Home Office” were Will Gilbert, co-founder of Think Simple, and Dave Raines, founder, president and CEO of Osbee.
Gilbert noted that customers who were using Wi-Fi in their home offices before now want wired high-speed networking.
The home office used to be just “a place to open your mail,” Gilbert said. “Now it’s somewhere where people are doing real business.”
Photo: Home office (Betta Living via Creative Commons)
Monday, September 14, 2020
Post-apocalyptic TV series entertain in troubled times
While the Covid-19 pandemic rages, people stuck at home are consuming more video entertainment. That includes TV series set in apocalyptic and post-apocalyptic times. How fitting.
However, the genre soon will be losing its longest-running series, “The Walking Dead.” AMC announced that the zombie-apocalypse show will end after its upcoming 11th season, which is likely to run through late 2022.
The good news for fans of “The Walking Dead” universe is that the series is getting a spinoff series built around characters Daryl and Carol.
In addition to “The Walking Dead,” AMC airs a companion series, “Fear the Walking Dead,” which is set to start its sixth season on Oct. 11. A third series, “The Walking Dead: World Beyond,” will premiere on Oct. 4.
Plus, producers of the franchise are working on an episodic anthology series currently titled “Tales of the Walking Dead.” Also, a movie centered on the character Rick Grimes is in the works.
Here’s an update on other post-apocalyptic TV series:
- “The 100”: The CW series “The 100” will complete its seven-season run with a final episode on Sept. 30.
- “To the Lake”: On Oct. 7, Netflix will premiere the Russian series “To the Lake.” Here’s the official description: “Facing the end of civilization when a terrifying plague strikes, a group risks their lives, loves — and humanity — in a brutal struggle to survive.”
- “The Stand”: CBS All Access will premiere a miniseries adaptation of Stephen King’s epic novel “The Stand” on Dec. 17. “The Stand” is a battle between good and evil forces that takes place in the aftermath of a super plague.
- “Y: The Last Man”: Based on a science-fiction comic book, “Y: The Last Man” is set to premiere on FX on Hulu sometime in 2021. The story takes place in a post-apocalyptic world in which a cataclysmic event has killed every male mammal except for one lone man and his capuchin monkey.
- “Station Eleven”: HBO Max has ordered a miniseries based on the novel “Station Eleven.” The story depicts the aftermath of a flu pandemic that wipes out most of the world’s population.
- “Resident Evil”: Netflix has ordered a series based on the “Resident Evil” survival-horror video game franchise. The series will have two timelines: one pre-apocalyptic and one post-apocalyptic. No release date has been announced.
- “The Silent Sea”: Netflix has ordered a Korean series called “The Silent Sea.” The show is set in a precarious future where Earth is running out of water.
- “All of Us Are Dead”: Netflix has ordered a Korean series called “All of Us Are Dead.” It is based on Korean webtoon called “Now at Our School.” It follows a group of high school students who are trapped in their school as a zombie virus spreads like a wildfire.
- “The Last of Us”: HBO plans to make a TV series based on the acclaimed video game franchise “The Last of Us.”
- “Fallout”: Amazon Studios has licensed the rights to the “Fallout” video game franchise for a television series.
- Meanwhile, new seasons are coming for “Black Summer” on Netflix, “Into the Night” on Netflix, “Snowpiercer” on TNT, “See” on Apple TV+, “Van Helsing” on Syfy and “War of the Worlds” on Epix.
Related articles:
Comprehensive list of live-action post-apocalyptic TV series
As one post-apocalyptic TV series ends, another begins (Tech-media-tainment; May 19, 2020)
Post-apocalyptic TV shows ready for comeback (Tech-media-tainment; Sept. 8, 2019)
Photo: Promotional art for “The Walking Dead: World Beyond.”
Monday, September 7, 2020
Here are my picks for song of summer 2020
The song of summer for 2020 officially belongs to “Rockstar” by DaBaby featuring Roddy Ricch, according to several assessments. As of the week of Sept. 5, it has been the No. 1 song for 12 weeks, Billboard magazine says.
The track isn’t a classic song of summer. Its theme and music aren’t uplifting, though they do mirror the times with troubled race relations in the U.S. right now. However, the frequent use of the N-word likely limited the appeal of the track.
For a more traditional song of summer, my picks would include “Watermelon Sugar” by Harry Styles, “Blinding Lights” by The Weeknd, “Break My Heart” by Dua Lipa, “Roses” by SAINt JHN and “Say So” by Doja Cat featuring Nicki Minaj.
For breakthrough artist of summer, my pick would be Doja Cat. In addition to “Say So,” her other hits in the season included “Like That” and a feature on a remix of “In Your Eyes” by The Weeknd.
Related reading:
What’s 2020’s Song of the Summer—If There Even Is One? (Time; Sept. 1, 2020)
Song of the Summer 2020: These 10 songs were the soundtrack to our unforgettably forgettable summer (Cleveland.com; Aug. 14, 2020)
The Summer Without a Song (Wall Street Journal; July 31, 2020)
The Song of the Summer Is in Chaos (The Atlantic; July 17, 2020)
Song of Summer 2019: ‘Old Town Road,’ duh. (Tech-media-tainment; Aug. 20, 2019)