Showing posts with label apple. Show all posts
Showing posts with label apple. Show all posts
Sunday, December 14, 2025
Post-apocalyptic TV series alive and well
To date, there have been 91 post-apocalyptic TV series and miniseries. Of those, nine are still in production.
This year brought “The Eternaut” on Netflix and “Pluribus” on Apple TV.
“The Eternaut” from Argentina takes place after a mysterious snowfall kills most of the population. It turns out to be the first wave of an attack by extraterrestrial invaders.
“Pluribus” is set after an alien virus transforms most of humanity into a peaceful and content hive mind that nevertheless seeks to assimilate those with immunity.
Meanwhile, the second season of “Fallout” will premiere on Dec. 17 on Amazon Prime Video. It has been renewed for a third season and its creators think it could last five or six seasons.
Related article:
Comprehensive list of live-action post-apocalyptic TV series (Updated Dec. 14, 2025)
Wednesday, October 1, 2025
Note to Netflix: Keep the binge-watching option
One of the key innovations that Netflix introduced was “binge watching,” the ability to stream multiple episodes of a new TV show in one sitting. It replaced the legacy broadcast and cable TV model of releasing one new episode every week.
While some people might tolerate or even approve of the old model, I do not. Proponents of the traditional model say it allows a show to build buzz and anticipation for upcoming episodes. But with so many programming options out there, it’s easy to lose track of shows on a weekly release. I need a recap video to watch even new seasons of many shows.
Binge watching gives viewers the option of watching one or more episodes to satisfy their demand. It puts them in control. Weekly episode releases give all the control to the programmer and it seems stingy by today’s standards.
When services such as Amazon Prime Video, Apple TV+, Disney+ and HBO Max release a new series that I’m interested in, I’ll mark my calendar for when the full season will be available.
My suggestion to those services is to switch to the user-friendly binge-watching model and drop the old-school weekly release model.
According to a survey by Hub Entertainment Research, 64% of viewers prefer all episodes of a series to be released at once as opposed to one episode per week (36%).
Photo: Season five of the Apple TV+ series “Slow Horses” premiered on Sept. 24, 2025. But all six episodes won’t be available until Oct. 29. (Apple TV+)
While some people might tolerate or even approve of the old model, I do not. Proponents of the traditional model say it allows a show to build buzz and anticipation for upcoming episodes. But with so many programming options out there, it’s easy to lose track of shows on a weekly release. I need a recap video to watch even new seasons of many shows.
Binge watching gives viewers the option of watching one or more episodes to satisfy their demand. It puts them in control. Weekly episode releases give all the control to the programmer and it seems stingy by today’s standards.
When services such as Amazon Prime Video, Apple TV+, Disney+ and HBO Max release a new series that I’m interested in, I’ll mark my calendar for when the full season will be available.
My suggestion to those services is to switch to the user-friendly binge-watching model and drop the old-school weekly release model.
According to a survey by Hub Entertainment Research, 64% of viewers prefer all episodes of a series to be released at once as opposed to one episode per week (36%).
Photo: Season five of the Apple TV+ series “Slow Horses” premiered on Sept. 24, 2025. But all six episodes won’t be available until Oct. 29. (Apple TV+)
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Tuesday, September 30, 2025
Streaming video services killed traditional TV seasons
I used to look forward to the TV Guide Fall Preview issue. It would get me excited for new TV series that would be premiering in the fall. Now you can hardly find that magazine issue on newsstands.
TV Guide was dominant before the internet when broadcast and cable TV were popular. Back then, new television shows premiered mostly in the fall when people spent more time inside because of the colder weather. Networks used that as an excuse to create an advertising sales event.
Now with streaming video services, new shows are premiering year-round. And many of those services are commercial-free. So they’re producing a steady stream of content to keep subscribers engaged.
The fall TV season still exists though it’s not as big a deal as it used to be.
Here are new and returning shows I’m most interested seeing in this autumn: “Alice in Borderland” (Netflix), “Alien: Earth” (Hulu), Pluribus (Apple TV+), “Slow Horses” (Apple TV+), “Stranger Things” (Netflix), “The Beast in Me” (Netflix), “The Diplomat” (Netflix) and “The Last Frontier” (Apple TV+).
Related articles:
The Complete Guide to Fall TV 2025: Everything to Know About What to Watch This Season (TV Guide; Sept. 29, 2025)
Fall TV Preview: 56 of the Most-Anticipated New and Returning Shows of 2025 (Variety; Sept. 4, 2025)
Wednesday, February 5, 2025
Birds of Northern Virginia as seen by my bird feeder
For Christmas 2023, I received as a gift a Birdfy bird feeder, which has a motion-activated camera that can be accessed wirelessly from my smartphone. I’ve been having fun observing the different types of birds that show up at my home here in Fairfax County, Virginia.
I’m not going to do a full-on review but I’m generally satisfied with the product. However, I have a few gripes.
For one, I wish the photos were higher resolution. The camera takes both color photos and short videos with audio. It also takes black-and-white nighttime images. The product designers likely opted for lower-resolution photos to save on data storage space.
Secondly, the photo download process is pretty cumbersome.
Also, the product itself doesn’t automatically identify birds that visit the feeder. You have to pay for a service for that. But the Apple iPhone Photos app does a pretty good job of identifying the birds.
The birds that frequent my Birdfy feeder the most are northern cardinals and possibly five types of sparrows.
Other visitors include the blue jay, black-capped chickadee, Carolina wren, tufted titmouse and dark-eyed junco.
Less frequent visitors have included the brown-headed cowbird, gray catbird, mourning dove and white-breasted nuthatch.
I’ll publish some photos in follow-up posts.
Wednesday, April 10, 2024
Post-apocalyptic TV shows get refresh with ‘Fallout’
While it’s been slim pickings for post-apocalyptic movies, TV series in the genre have been plentiful.
Current series getting new seasons include “Invasion” (Apple TV+), “Silo” (Apple TV+), “Twisted Metal” (Peacock) and “The Last of Us” (Max). There also are at least two “Walking Dead” franchise series developing new episodes (“Dead City” and “Daryl Dixon”). Plus, “Snowpiercer” has jumped to AMC from TNT for its fourth and final season.
Today saw the premiere of “Fallout” on Amazon Prime Video. The adaptation of the popular video game series released all eight episodes at once. The series is set 219 years after the outbreak of nuclear war sent Americans underground into fallout shelters called Vaults.
Last week, Netflix premiered the South Korean series “Parasyte: The Grey.” The alien-invasion horror series is more pre-apocalyptic, but the outlook looks pretty grim.
But with the era of peak TV at an end, the plentiful genre offerings could be slowing down.
The number of scripted TV seasons being ordered in the U.S. has nearly halved since 2019, according to Ampere Analysis. However, international TV production could pick up the slack, Deadline reported.
Saturday, January 27, 2024
CES 2024 news in review: AI, spatial computing, robots and more
The following is a roundup of my coverage of the CES 2024 technology trade show in Las Vegas.
Arm elbows into new arenas as chip designer takes on AI, auto, cloud, other markets. (Jan. 26, 2024)
Powerfoyle becoming “Intel Inside” for light-powered gadgets. (Jan. 19, 2024)
Robot barista looks to fill labor shortage. Say hello to Adam. (Jan. 19, 2024)
Apple isn’t the only player in spatial computing. Rivals populated CES 2024. (Jan. 17, 2024)
Garmin targeting niche markets in smartwatches for women, kids. (Jan. 12, 2024)
Dolby cranks up volume of licensing deals in autos, TVs, PCs. (Jan. 12, 2024)
Qualcomm in catbird seat for edge AI shift, CEO says. (Jan. 11, 2024)
Smart TV platform battle rages at CES 2024. Amazon, Roku make waves. (Jan. 11, 2024)
Automotive chipmakers squeezed by “accordion effect.” (Jan. 10, 2024)
L’Oreal adds glamour to CES 2024 with beauty tech gadgets. (Jan. 9, 2024)
Dell, HP join Intel push for AI PCs. Microsoft Copilot called “marquee” feature. (Jan. 9, 2024)
Nvidia steps up generative AI game with new chips. (Jan. 8, 2024)
AMD rounds out AI PC chip lineup with new desktop processors. (Jan. 8, 2024)
Consumers set to upgrade pandemic-era tech purchases. (Jan. 8, 2024)
“AI is the story of the show”: What to expect from CES 2024. (Jan. 6, 2024)
Photos: CES 2024 outside the West Hall of the Las Vegas Convention Center (Patrick Seitz); LG Electronics WebOS tunnel at CES 2024 (LG)
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Saturday, March 25, 2023
True-story business movies are hot as Hollywood tells the tales of Nike, Tetris, BlackBerry and Flamin' Hot Cheetos
Movies based on true stories in business are having a moment.
Last year saw docu-drama miniseries based on business failures Theranos and WeWork and the founding of Uber. The year ended with Netflix miniseries “The Playlist” on the creation of streaming music service Spotify.
At least six movies are due out this year based on true stories about businesses.
Up first is “Tetris,” premiering March 31 on Apple TV+. The movie, starring Taron Egerton, is about the struggle to obtain international distribution rights for the Russian video game of the same name.
Next is “Air” about Nike’s efforts to sign basketball rookie Michael Jordan to a deal to wear its sneakers. The movie, directed by Ben Affleck, will premiere in theaters on April 5, followed sometime later on streaming service Amazon Prime Video.
“BlackBerry,” a movie about the making of the BlackBerry brand of mobile phones, will premiere in theaters on May 12. It stars Jay Baruchel and Glenn Howerton.
Next, “Flamin’ Hot” will premiere June 9 on Hulu and Disney+ streaming services. The film tells the story of Richard Montañez, the Frito-Lay janitor who claimed to have invented Flamin’ Hot Cheetos.
Then on July 12, select theaters will show the true-life dramedy “The Beanie Bubble,” starring Zach Galifianakis and Elizabeth Banks. The movie, about the 1990s Beanie Baby toy craze, will premiere on Apple TV+ on July 28.
Finally, director Michael Mann is making a biopic about Italian driver and entrepreneur Enzo Ferrari. The movie, “Ferrari,” is slated to premiere later this year.
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Saturday, January 14, 2023
CES 2023 news in review: Augmented reality, smart TVs, hearing aids shine at tech show
The following is a roundup of my coverage of the CES 2023 technology trade show in Las Vegas.
Techs take on Apple and the real world with augmented reality. (Jan. 13, 2023)
Battery maker Enovix hopes to recharge with new CEO, strategy. (Jan. 10, 2023)
Lidar, radar, camera vendors fight to be the eyes of autonomous vehicles. (Jan. 10, 2023)
Smart TV operating system battle on display at tech show, with help from Google, Amazon, Roku. (Jan. 6, 2023)
Over-the-counter hearing aids something to shout about. (Jan. 6, 2023)
Here’s what chipmakers have in mind for the tech world in 2023. (Jan. 5, 2023)
Roku gets off the stick and makes its own televisions. (Jan. 4, 2023)
Don’t write off the metaverse just yet, tech show official says. (Jan. 4, 2023)
Nvidia teams with Apple partner Foxconn on self-driving cars. (Jan. 3, 2023)
Here’s what to expect at one of tech’s biggest events of the year, CES 2023. (Dec. 29, 2022)
Photo: LG Electronics OLED television display at CES 2023. (LG)
Friday, June 10, 2022
FANG stocks defanged by Meta Platforms ticker change
With Facebook parent Meta Platforms changing its ticker to META from FB on Thursday, the FANG group of top internet stocks loses more relevance. Will talk of FANG stocks wither after the change? Will a new stock group emerge to define the next growth era?
CNBC’s “Mad Money” host Jim Cramer coined the term FANG stocks in 2013 to refer to the group of leading internet companies: Facebook, Amazon, Netflix and Google.
The FANG stocks group persisted after Google was placed under umbrella organization Alphabet in 2015. But Alphabet retained its GOOG and GOOGL tickers, allowing the acronym to continue.
Certainly, many Wall Street analysts and investors will continue to use the FANG acronym despite the change. The same is true for its many variants: FAANG (which adds Apple to the mix), FATMAN or FAATMAN (Facebook, Amazon, Apple, Tesla, Microsoft, Alphabet and Netflix), FANMAG (Facebook, Amazon, Netflix, Microsoft, Apple and Google). There’s also FANGMAN (which adds Nvidia).
Cramer suggested MAMAA (Meta, Apple, Microsoft, Amazon and Alphabet) as a replacement, though others have stylized it as AMAMA.
Others have played around with acronyms with the companies Apple, Amazon, Alphabet (or Google), Meta, Microsoft, Netflix and Tesla. They’ve come up with GAMMA, MANGA, MAGMA, MANTA and A MANTA.
China’s version of FANG stocks is the BAT stocks. BAT includes internet companies Baidu, Alibaba and Tencent. There’s also BAIT, which adds iQiyi.
With FANG stocks defanged by Facebook and Google name changes, what stock group will define the next growth era?
In March, BofA Securities analyst Vivek Arya created a grouping of top semiconductor stocks under the acronym MANGO. The MANGO stocks include Marvell Technology (MRVL), Advanced Micro Devices (AMD), Analog Devices (ADI), Broadcom (AVGO), Nvidia (NVDA), GlobalFoundries (GFS) and Onsemi (ON). Arya combined the three tickers that start with A as one letter in the acronym. It looks better than MAAANGO.
Saturday, April 30, 2022
Ready or not, the conference industry is returning post-Covid
After being shut down for about two years because of the Covid-19 pandemic, the in-person conference industry appears to be coming back.
After a two-year absence, the National Association of Broadcasters held its NAB Show in Las Vegas April 23-27. The 2022 show attracted more than 900 exhibitors and 52,468 attendees. The NAB Show is the world’s largest annual convention for broadcasters and the broader media, entertainment, and technology industries.
The biennial MODEX manufacturing and supply chain conference drew 857 exhibitors and 37,047 visitors to Atlanta’s Georgia World Congress Center March 28-31. It was the largest MODEX show ever, with 20% more visitors than the last pre-pandemic show – MODEX 2018.
The MODEX show is sponsored by MHI, an international trade association that represents the material handling, logistics and supply chain industry. MODEX is held every other year, alternating each year with the ProMat trade show.
Many other U.S. conferences are scheduled for physical shows soon. They include the Robotics Summit & Expo in Boston on May 10-11; the Sweets & Snacks Expo in Chicago from May 23-26, L.A TV Week in Los Angeles from June 6-8; the Automate conference in Detroit from June 6-9; and Sensors Converge in San Jose, Calif., from June 27-29. Those are just a few that I’ve been pinged about.
Some tech companies I follow are hesitant to go back to in-person shows just yet.
Apple is holding its annual Worldwide Developers Conference as an online event for the third straight year.
Google’s annual developer conference, Google I/O, will take place online May 11 and 12. Google I/O was canceled in 2020 due to the Covid-19 pandemic and returned as an online event in 2021.
However, other tech companies are going forward with in-person events that also will be livestreamed for people who can’t or don’t want to travel to a physical show.
Dell is holding its Dell Technologies World conference in Las Vegas May 2-5. Intel has scheduled its Intel Vision conference for May 10-11 at the Gaylord Texan Resort & Convention Center in Grapevine, Texas.
Related reading:
After two years of Covid, live events are finally happening again (Tech-media-tainment; Feb. 13, 2022)
Photo: Officials cut a ceremonial ribbon to open the NAB 2022 trade show in Las Vegas. (NAB)
Sunday, January 23, 2022
Tech industry stories getting the Hollywood treatment
The information technology industry has long been a fertile ground for documentary filmmakers. Now Hollywood is taking aim at the sector. Several major docudramas based on real-life stories in the tech industry are on the way.
On March 3, Hulu will premiere “The Dropout,” starring Amanda Seyfried as Elizabeth Holmes, the convicted fraudster who ran Theranos. The biotech company closed in scandal in 2018 after failing to deliver on its promise that all blood tests could be done with a single drop of blood. “The Dropout” is an eight-episode miniseries.
On March 18, Apple TV+ will premiere “WeCrashed,” a limited series starring Jared Leto and Anne Hathaway. The eight-episode series will tell the story of the rise and spectacular fall of WeWork. The company grew from a single coworking space into a global brand worth $47 billion in under a decade. Then, in less than a year, its value plummeted.
Meanwhile, Showtime is working on a series based on New York Times reporter Mike Isaac’s book “Super Pumped: The Battle for Uber.” It is slated to star Joseph Gordon-Levitt as former Uber CEO Travis Kalanick.
Other movies or TV series have been announced based on Gamergate (see articles by the Wrap and Deadline), and the r/WallStreetBets and GameStop saga (see articles by Deadline, Variety and the Wrap.)
Also, Mark Wahlberg’s Unrealistic Ideas, the company behind HBO’s Emmy-nominated “McMillions,” is looking to do a limited docuseries on the rise and fall of MoviePass. (See articles by Deadline and AV Club.)
Related article:
‘Steve Jobs’ one of just a few movies based on tech industry true stories (Oct. 24, 2015)
Photos: “The Dropout” (top, from Hulu) and “WeCrashed” (bottom, from Apple TV+).
Saturday, December 25, 2021
2022 predictions in technology and media
The new year looks to begin just like the old year, with the nation gripped by the Covid-19 pandemic. It’s also starting off with a bunch of year-ahead predictions that most likely won’t happen. But hey, they’re still fun to consider. (Check out last year’s predictions for 2021.)
What follows is a compilation of interesting predictions for the technology and media industries in 2022.
Netflix possible acquisition target?
Internet television network Netflix could be acquired by a large media company in 2022, says Phillip Swann, editor of TV Answer Man.
“I predict that Netflix Chairman Reed Hastings and his team will conclude the time is right to join with a rival to form an even more powerful company – one that can survive a long-term streaming war that will be even more expensive than the current one,” Swann wrote in a blog post.
Two buyers make the most sense: Disney and Comcast, he said. “If I were betting today, I would bet on Disney. But either company could be in the hunt,” Swann said.
Roku: Acquisition target or studio buyer?
Depending on who’s talking, streaming video platform Roku either will be acquired by a larger company or bid for a major studio in 2022.
Hub Entertainment Research analyst Peter Fondulas predicts a large company like Apple could buy Roku. The deal would help Roku’s expansion into international markets and give Apple customers a lower-priced alternative to the Apple TV box, according to Fierce Video.
Media analyst Michael Nathanson told CNBC that Roku might buy a studio, such as Lionsgate, to bolster the exclusive content for its Roku Channel. But it likely would face other bidders such as Comcast’s NBCUniversal, ViacomCBS, Netflix and Disney.
Twitter, Pinterest acquisition targets?
MKM Partners made several “black swan predictions” for internet companies in the year ahead. It calls these “high-impact, low-probability” events.
It’s possible that Twitter and Pinterest will no longer be independent public companies after 2022, MKM managing director Rohit Kulkarni said in a Dec. 23 report.
“Both companies have had issues during 2021, with media reports surfacing around M&A. If the stock price stays under pressure, we wouldn’t be surprised if such speculations start swirling again. Twitter has a new CEO while (former CEO Jack) Dorsey leaves the board. Pinterest altered executive compensation this week – such events increase the likelihood of M&A speculations on both Pinterest and Twitter,” Kulkarni said.
NFT bubble might pop
Activate Consulting, a management consulting firm for technology, internet, media, entertainment, and sports businesses, predicted that non-fungible tokens, or NFTs, will continue to grow in 2022. NFTs are unique blockchain-based digital assets such as artwork, videos, games and recordings.
“Buying, collecting, and trading non-fungible tokens will become a mainstream behavior,” the firm said in a news release. “Many industries are creating NFTs, including art, fashion, sports, video games, and consumer products. Every technology and media company will need an NFT strategy.”
However, “NFTs could be experiencing a speculative bubble,” Activate Consulting noted.
But others are highly skeptical about the worth of NFTs.
“NFTs will remain hyped to oblivion (and) some people will lose their shirts,” James Ball, global editor at The Bureau of Investigative Journalism at the Guardian, said in his 2022 predictions.
Photo: Television from Best Buy brand Insignia running the Fire TV operating system from Amazon. (Best Buy)
Thursday, December 31, 2020
2021 tech industry predictions: Pent-up horniness boosts dating apps, big M&A deals forecast
Tech pundits had many of their predictions for 2020 thrown out the window because of the Covid-19 pandemic. The health crisis was a black swan event that made their forecasts mostly irrelevant.
Now that vaccines are reaching the market, governments might finally get the Covid-19 pandemic under control in the new year.
So, what are prognosticators seeing for 2021?
What follows is a sampling of predictions that will be proven right or wrong in the year ahead.
Dating apps have big moment post-pandemic
Readers of the Verge offered their predictions for the consumer internet and social networks in 2020.
Some people forecast a surge in usage of dating apps as the world opens following Covid-19 vaccinations.
“Many of you predict that when the Covid-19 vaccines have been widely distributed, the Earth will experience a period of prolonged horniness unlike anything that has been seen in generations,” Casey Newton wrote. “Tinder, Grindr, and all the rest are poised to thrive as a result.”
2021 IPOs: WordPress, TikTok, ‘Pokemon Go’ parents
2020 was a big year for initial public offerings. IPOs this year included Airbnb, DoorDash, Palantir Technologies, Snowflake, Unity Software and Warner Music Group.
Potential IPO candidates for 2021 include Didi, the “Uber of China”; ByteDance, owner of social media network TikTok; and Chinese drone maker DJI Innovations, MKM Partners said in a report. Others include Automattic, WordPress operator, website developer and e-commerce enabler; Niantic, the mobile video game developer known for “Pokemon Go”; and Roblox, online game platform and game creation system, MKM said.
Kiplinger included Roblox on its “13 Hot Upcoming IPOs to Watch For in 2021.” The list also features female-focused online dating service Bumble, pet supplies retailer Petco, game developers platform AppLovin, and stock-trading service Robinhood.
Microsoft, Cisco, Oracle make big acquisitions
The Information predicted several major tech acquisitions in 2021.
Writers Nick Wingfield and Kevin McLaughlin predicted that Microsoft will buy MongoDB. They said the acquisition would give Microsoft a way to beef up its online database offerings to better compete with Amazon Web Services.
They predicted Cisco will buy Smartsheet to make a move into the collaboration software category.
They also think Oracle will make a bid for Dropbox or Box, both file-sharing services, in the year ahead.
Elsewhere, Wedbush Securities analyst Daniel Ives said he thinks Microsoft will “make a major software acquisition” to expand its product footprint in the cloud computing war against Amazon.com.
U.S. tech firm buys Nokia
Research firm CCS Insight made several interesting predictions for the year ahead.
For one, it expects the Covid-19 pandemic to quicken the adoption of robots and automation beyond manufacturing and logistics.
CCS Insight also predicted that “a major U.S. tech company buys Nokia in 2021.” It said Microsoft is one potential suitor, according to Nokiamob.net.
Apple acquires a movie studio
Wedbush’s Ives predicts that Apple will buy a movie studio to bulk up the content on its Apple TV+ video streaming service. He included the 2021 prediction as part of his “Christmas wish list” for Apple. News reports say Apple recently passed on a deal to buy MGM.
“Apple finally rips the Band-Aid off and makes a major studio acquisition to change the course of its content efforts around Apple TV+ and its aggressive streaming ambitions,” Ives said. “We believe Sony Pictures, Lionsgate, and A24 remain the top candidates if (Apple CEO Tim) Cook & Co. go down that path.”
Evolutionary year ahead for augmented reality
ABI Research predicts that 2021 will be a “boon year” for the augmented reality market.
The enterprise market will continue to drive the AR market with remote expertise and remote training applications, ABI said.
The consumer AR market will grow thanks to smartphone and tablet software applications. But the predicted AR smart glasses market is still just getting started.
“2021 will be an important one for AR consumer hardware,” said Eric Abbruzzese, AR/VR research director at ABI Research. “nReal will ship its first headsets to consumers, while Mad Gaze will also look to expand. Also, Facebook is expected to roll out its AR smart glasses out of its Reality Labs initiative; Google may join as well after the acquisition of North, and with pressure from Facebook and others. Although expectations for a dedicated AR product launch are targeting 2022 for the company, Apple is a wild card.”
Mike Boland, an analyst with ARtillery Intelligence, says spatial computing has “transitioned to an adolescent period of its lifecycle.”
Consumer AR glasses will make progress in 2021, but they will be evolutionary, not revolutionary, developments, he said. The focus of AR glasses remains on the enterprise market, which doesn’t mind pricey, bulky hardware as long as it improves productivity and efficiency.
Boland expects Apple to announce its rumored smart glasses in 2022.
Photo: Dating apps illustration by Norma Dorothy via Creative Commons.
Sunday, December 6, 2020
Music documentaries are hot right now
Thanks to the explosion of streaming video services and the need for fresh content, music documentaries are hot right now. These films also give artists a chance to connect with fans when touring has been canceled by the Covid-19 pandemic.
Netflix this year has premiered documentaries about singer-songwriter Taylor Swift (“Miss Americana”) and Shawn Mendes (“Shawn Mendes: In Wonder”) as well as female K-pop group Blackpink (“Blackpink: Light Up the Sky”). Its library also includes documentaries about Beyonce, Bob Dylan, Quincy Jones, Amy Winehouse, ZZ Top and more.
Apple TV+ entered the music documentary arena with Spike Jonze’s “Beastie Boys Story” in April. It later added the documentary “Bruce Springsteen’s Letter to You.” It plans to premiere a documentary about singer-songwriter Billie Eilish in February (“Billie Eilish: The World’s a Little Blurry”).
Not to be left out, Disney+ picked up the Taylor Swift documentary “Folklore: The Long Pond Studio Sessions.” And HBO Max is producing a six-part docuseries on rapper-singer Nicki Minaj. HBO also will release a documentary on the Bee Gees called “The Bee Gees: How Can You Mend a Broken Heart” on Dec. 12.
Meanwhile, Showtime earned raves for its eponymous documentary on female pop-rock group The Go-Go’s, which premiered on July 31.
Other prominent music documentaries out this year include movies about Frank Zappa (“Zappa”), Suzi Quatro (“Suzi Q”) and Billie Holiday (“Billie”).
Friday, September 18, 2020
What CES 2021 can learn from other virtual conferences
I have attended every CES conference in Las Vegas since 2000 and was disappointed when the coronavirus pandemic turned CES 2021 into an online-only show. I understand the reasoning for the change but was still saddened by the news.
CES, still known as the Consumer Electronics Show to many, is a massive spectacle.
From the giant exhibit halls full of exciting technology and devices to the promotional stunts of companies trying to make a splash, it must be experienced firsthand.
Beyond the expo floor, there are keynote speeches by major industry figures, panel discussions about trends, and private parties galore, all taking place in the crazy city of Las Vegas.
Shrinking all that down to a computer screen is bound to disappoint.
I can’t speak to the impact on the business-to-business nature of the show, but I can address it from my perspective as a journalist.
Based on what I’ve seen from covering some online conferences and corporate press events these last few months, I have some opinions about what CES 2021 needs from a news perspective.
First, as the premier technology-focused event, CES 2021 needs to be best-in-class in terms of its online format. That means the best video and audio production and streaming, the best website organization, the best scheduling tools and more. Based on the CES website from past shows, I’m not confident they can pull this off.
Second, CES 2021 needs to consider that people aren’t going to sit at their desks all day. After all, the same pandemic that brought Zoom teleconferencing to prominence also led to the term “Zoom fatigue.”
When I’m covering CES in person, it gets my undivided attention for a week. I don’t get much sleep during the show because there is so much going on. That won’t be the case with a virtual show. Stuck in my office, I’ll have other demands for my time and attention, not just CES-related stuff. So, CES 2021 should be a more focused show.
The CES 2021 keynote presentations should learn from Apple’s recent online events. Apple’s WWDC keynote and fall product launch event used slick, cinematic videos. Those videos were both entertaining and informative. They were available to watch at a scheduled time for news value and then available for on-demand viewing.
I would envision the back-to-back press conferences of CES 2021 media day to be just like that as well. High-quality prerecorded videos trump the novelty of being live. Again, on-demand playback is critical in case viewers have scheduling conflicts.
Interviews with newsmakers as well as panel discussions on major trends and issues should be live, however. Plus, I’d love to see a real-time feedback mechanism so you can read what other viewers think during the video presentations, even if it’s just funny asides in a Twitch-style chat format. Once again, these live videos should be available later for on-demand playback.
Companies should have the ability to do live presentations of their products from the virtual expo floor. These should be scheduled throughout the conference. This is especially important for companies that don’t get slotted for media day.
The first test of what CES organizers are capable of will come on Oct. 15 when the Consumer Technology Association holds its CES Unveiled conference. It canceled two in-person events in Europe for one all-digital event. The in-person events had been scheduled for Oct. 7 in Paris and Oct. 15-16 in Amsterdam.
CES 2021 is scheduled for Monday Jan. 11 through Thursday Jan. 14. Keynote speakers already announced include AMD Chief Executive Lisa Su and Verizon Chief Executive Hans Vestberg. Both have delivered keynotes at in-person CES shows.
Related reading:
Freed of CES, It’s Time to Get the Consumer Back Into Consumer Electronics (Ray Hartjen; Sept. 16, 2020)
What Will A Virtual CES Look Like? (TWICE; Aug. 30, 2020)
What will a virtual CES 2021 be like? (Tech-media-tainment; Aug. 1, 2020)
Giant 2021 Consumer Electronics Show In Las Vegas Cancelled By Covid-19, To Go All-Digital (Forbes; July 29, 2020)
Saturday, August 1, 2020
What will a virtual CES 2021 be like?
On July 28, the Consumer Technology Association canceled its in-person CES 2021 conference scheduled for Jan. 6-9 in Las Vegas. The writing was on the wall. The world, especially the U.S., has not gotten the Covid-19 pandemic under control. The pandemic is likely to rage into next year and possibly until there’s a vaccine.
CES 2021 will be an “all-digital experience,” the Consumer Technology Association said in a news release. What that means exactly is still to be spelled out.
While the organization is planning CES 2021, they can look to other physical events that went online for lessons learned.
For instance, the virtual San Diego Comic-Com was called “a bust” by Variety.
The main reason was a lack of fan interaction with TV show and movie creators, the entertainment publication said. Another problem was that news was released outside of the Comic-Con@Home events, muting their impact. Variety said Comic-Con@Home also was a dud in terms of social media buzz.
On the other hand, Apple’s virtual Worldwide Developers Conference was deemed a success.
“Though we could not be together in person, Apple set a new standard for what online events can achieve with our celebrated all virtual event,” Apple Chief Executive Tim Cook told analysts on July 30. “The results here speak for themselves. More than 22 million viewers tuned in across all of Apple streams. For our developers, we distributed more than 72 hours of video content. That’s three full days of video. The week saw more than 200 direct video engineering and design sessions and about 4,500 person-to-person appointments with developers across 227 virtual labs.”
Pre-show press conferences by tech companies easily can be switched to online events. Many already were streamed online.
Keynote speeches and presentations by tech leaders also can be moved to streaming video.
I hope CES organizers aim high when picking big names for the keynotes to generate news and interest. The virtual CES 2021 offers the possibility to attract public figures who would not have given an in-person keynote at the physical show.
Here are some suggestions for CES 2021 keynotes:
My biggest question is how the average CES exhibitor will handle the all-digital conference. I would imagine that each will do a video to post in a directory of virtual exhibitors. These videos will include a rundown of their latest products. Some could even do online question-and-answer sessions. This might work best for company’s selected as CES Innovation Award winners and the like.
CES describes this part of the all-digital show as its “product showcase.”
“With this digital evolution of the CES show floor, you’ll be able to explore products and services, based on your interests and business, through dynamic product showcases or live demos,” the Consumer Technology Association said.
The trade group also promised virtual meetings and networking opportunities with CES 2021.
The great thing about CES is that it sets the tone for the tech industry for the year ahead. As such, it focuses on tech solutions for the world’s problems. I’m hopeful that CES 2021 will be no different.
Photo: CES 2020 at the Las Vegas Convention Center. (Consumer Technology Association)
CES 2021 will be an “all-digital experience,” the Consumer Technology Association said in a news release. What that means exactly is still to be spelled out.
While the organization is planning CES 2021, they can look to other physical events that went online for lessons learned.
For instance, the virtual San Diego Comic-Com was called “a bust” by Variety.
The main reason was a lack of fan interaction with TV show and movie creators, the entertainment publication said. Another problem was that news was released outside of the Comic-Con@Home events, muting their impact. Variety said Comic-Con@Home also was a dud in terms of social media buzz.
On the other hand, Apple’s virtual Worldwide Developers Conference was deemed a success.
“Though we could not be together in person, Apple set a new standard for what online events can achieve with our celebrated all virtual event,” Apple Chief Executive Tim Cook told analysts on July 30. “The results here speak for themselves. More than 22 million viewers tuned in across all of Apple streams. For our developers, we distributed more than 72 hours of video content. That’s three full days of video. The week saw more than 200 direct video engineering and design sessions and about 4,500 person-to-person appointments with developers across 227 virtual labs.”
So, the key learnings from those virtual events include having live interactive events and breaking news.
The Consumer Technology Association has a little over five months to pull together its all-digital CES 2021.
“The new format will allow participants to hear from technology innovators, see cutting-edge technologies and the latest product launches, and engage with global brands and startups from around the world,” the trade group said. “CES 2021 will be a new immersive experience, where attendees will have a front-row seat to discover and see the latest technology. This highly personalized experience will bring a global event to the comfort and safety of your home or office.”In a LinkedIn post, Gary Shapiro, chief executive of the Consumer Technology Association, pledged to return to Las Vegas with a physical show for CES 2022.
As a member of the news media, I will miss seeing the latest big-screen TVs and other gadgets in person. But many aspects of the show can be handled virtually.Pre-show press conferences by tech companies easily can be switched to online events. Many already were streamed online.
Keynote speeches and presentations by tech leaders also can be moved to streaming video.
I hope CES organizers aim high when picking big names for the keynotes to generate news and interest. The virtual CES 2021 offers the possibility to attract public figures who would not have given an in-person keynote at the physical show.
Here are some suggestions for CES 2021 keynotes:
- Philanthropist Bill Gates could discuss efforts to combat the Covid-19 pandemic and how the world will change after the threat has passed. When he led Microsoft, Gates has a fixture at CES. He gave his 12th and final CES keynote on Jan. 6, 2008.
- Apple CEO Tim Cook could make his first CES keynote. Apple has snubbed CES in favor of holding its own company events. But these are unprecedented times, right? CES could give Cook the forum to discuss whatever he wants: green initiatives, education, his vision for the smart home, etc.
- Facebook CEO Mark Zuckerberg could hold a keynote in virtual reality. He’s a big proponent of the technology with the company’s Oculus VR business. The event could be streamed both to VR headsets and in surround video on YouTube. It is the absolute perfect time for a virtual reality keynote with everyone stuck at home.
My biggest question is how the average CES exhibitor will handle the all-digital conference. I would imagine that each will do a video to post in a directory of virtual exhibitors. These videos will include a rundown of their latest products. Some could even do online question-and-answer sessions. This might work best for company’s selected as CES Innovation Award winners and the like.
CES describes this part of the all-digital show as its “product showcase.”
“With this digital evolution of the CES show floor, you’ll be able to explore products and services, based on your interests and business, through dynamic product showcases or live demos,” the Consumer Technology Association said.
The trade group also promised virtual meetings and networking opportunities with CES 2021.
The great thing about CES is that it sets the tone for the tech industry for the year ahead. As such, it focuses on tech solutions for the world’s problems. I’m hopeful that CES 2021 will be no different.
Photo: CES 2020 at the Las Vegas Convention Center. (Consumer Technology Association)
Tuesday, May 19, 2020
As one post-apocalyptic TV series ends, another begins
The seventh and final season of epic post-apocalyptic TV series “The 100” begins on Wednesday on the CW. Its season premiere follows the series premiere on Sunday of another post-apocalyptic series, “Snowpiercer,” on TNT.
With the debut of “Snowpiercer,” there are now 10 TV series set in post-apocalyptic worlds currently running. Of those, three, including “The 100,” are scheduled to finish their runs this year. The other two are “Van Helsing” on Syfy after five seasons and “The Rain” on Netflix after three seasons.
Other post-apocalyptic series currently airing include “The Walking Dead” and spinoff “Fear the Walking Dead” on AMC, “Black Summer” on Netflix, “See” on Apple TV+, “War of the Worlds” on Epix and “Into the Night” on Netflix.
“Snowpiercer” originally was set to debut on May 31 but was moved up to May 17 to bring the show to viewers stuck at home during the Covid-19 pandemic.
Meanwhile, a second “Walking Dead” spinoff, “The Walking Dead: World Beyond” was delayed from it’s April 12 premiere until sometime later this year.
At least a dozen new post-apocalyptic set TV series are in development. So, the genre remains a popular category of escapist entertainment. However dark.
Related articles:
Comprehensive list of post-apocalyptic TV shows
With the debut of “Snowpiercer,” there are now 10 TV series set in post-apocalyptic worlds currently running. Of those, three, including “The 100,” are scheduled to finish their runs this year. The other two are “Van Helsing” on Syfy after five seasons and “The Rain” on Netflix after three seasons.
Other post-apocalyptic series currently airing include “The Walking Dead” and spinoff “Fear the Walking Dead” on AMC, “Black Summer” on Netflix, “See” on Apple TV+, “War of the Worlds” on Epix and “Into the Night” on Netflix.
“Snowpiercer” originally was set to debut on May 31 but was moved up to May 17 to bring the show to viewers stuck at home during the Covid-19 pandemic.
Meanwhile, a second “Walking Dead” spinoff, “The Walking Dead: World Beyond” was delayed from it’s April 12 premiere until sometime later this year.
At least a dozen new post-apocalyptic set TV series are in development. So, the genre remains a popular category of escapist entertainment. However dark.
Related articles:
Comprehensive list of post-apocalyptic TV shows
Tuesday, December 31, 2019
2020 predictions for media and tech company mergers & acquisitions
Ahead of the new year, analysts and pundits made 2020 predictions for mergers and acquisitions in the media and technology industries. Some are far-fetched “black swans” while others are more rooted in reality.
What follows are a few interesting ones.
Staff writers at Variety predicted that movie studio MGM will put itself up for sale in the new year.
“MGM will be on the block as speculation about Apple and Amazon kicking tires on IP assets reaches fever pitch,” Variety said in a Dec. 17 article. “It’s a seller’s market for companies with proven franchises, and MGM controls the rights to no less than James Bond.”
Research firm Strategy Analytics believes Sony Pictures and Lionsgate are likely acquisition targets because they are “now midsized studios in a land of behemoths.”
“Both traditional media companies and undercapitalized and underperforming privately held digital pure plays become logical M&A candidates,” the firm said in its “Media & Entertainment Predictions for 2020.”
The media and entertainment industry has been rocked by major deals in recent years. They include AT&T acquiring Time Warner ($85 billion), Disney acquiring 21st Century Fox ($71.3 billion), Comcast acquiring Sky ($39 billion), CBS re-acquiring Viacom (they split in 2005) ($12 billion), and SiriusXM acquiring the remaining 81% of Pandora it didn’t already own ($3.5 billion).
Strategy Analytics also believes that many smaller online video services that rely primarily on ad dollars are strong acquisition candidates. They include Tubi, Xumo and Popcornflix. Some of them could be sold at fire sale prices.
Year after year, analysts who don’t understand Apple predict that the iPhone maker will announce some huge transformative acquisition. And year after year, they are wrong, because Apple prefers to do smaller tuck-in acquisitions of technology and engineering talent.
What gets their minds racing is the fact that Apple has a huge war chest – $206 billion in cash and securities as of Sept. 28.
Bilal Hafeez, chief executive officer and head of research at Micro Hive, thinks Apple will buy media conglomerate Walt Disney Co. to supercharge its services aspirations.
“While Apple has famously been reluctant to make large acquisitions, perhaps 2020 could see them lose patience and take that path instead,” Hafeez said in Dec. 23 article. “And what better target than Disney? The financials could work. Apple’s market cap of $1.2 trillion dwarves that of Disney ($265 billion). In fact, Apple has over $200 billion in cash on its balance sheet, which alone could almost fund the purchase. The acquisition would give a large library of high-quality content including the Marvel, Star Wars, and Pixar properties. It would also give Apple another entry point into the Chinese consumer market.”
Fortune magazine staff writers predict that more small consumer electronics companies will be acquired in the new year, following Google’s planned purchase of struggling fitness device maker Fitbit.
“Action-camera maker GoPro and security-cam maker Arlo Technologies both trade 80% below their IPO prices, with the market valuing each at less than a single year’s sales. Expect both to be snapped up in 2020,” Fortune said in a Dec. 2 article.
Related article:
Year-ahead predictions in technology IPOs and robotics (Dec. 28, 2019)
Photo: Movie poster for upcoming James Bond action movie “No Time to Die.” (MGM)
What follows are a few interesting ones.
MGM hangs ‘for sale’ sign
Staff writers at Variety predicted that movie studio MGM will put itself up for sale in the new year.
“MGM will be on the block as speculation about Apple and Amazon kicking tires on IP assets reaches fever pitch,” Variety said in a Dec. 17 article. “It’s a seller’s market for companies with proven franchises, and MGM controls the rights to no less than James Bond.”
Sony, Lionsgate studios in play
Research firm Strategy Analytics believes Sony Pictures and Lionsgate are likely acquisition targets because they are “now midsized studios in a land of behemoths.”
“Both traditional media companies and undercapitalized and underperforming privately held digital pure plays become logical M&A candidates,” the firm said in its “Media & Entertainment Predictions for 2020.”
The media and entertainment industry has been rocked by major deals in recent years. They include AT&T acquiring Time Warner ($85 billion), Disney acquiring 21st Century Fox ($71.3 billion), Comcast acquiring Sky ($39 billion), CBS re-acquiring Viacom (they split in 2005) ($12 billion), and SiriusXM acquiring the remaining 81% of Pandora it didn’t already own ($3.5 billion).
Smaller streaming video services targeted
Strategy Analytics also believes that many smaller online video services that rely primarily on ad dollars are strong acquisition candidates. They include Tubi, Xumo and Popcornflix. Some of them could be sold at fire sale prices.
Apple seen buying Disney
Year after year, analysts who don’t understand Apple predict that the iPhone maker will announce some huge transformative acquisition. And year after year, they are wrong, because Apple prefers to do smaller tuck-in acquisitions of technology and engineering talent.
What gets their minds racing is the fact that Apple has a huge war chest – $206 billion in cash and securities as of Sept. 28.
Bilal Hafeez, chief executive officer and head of research at Micro Hive, thinks Apple will buy media conglomerate Walt Disney Co. to supercharge its services aspirations.
“While Apple has famously been reluctant to make large acquisitions, perhaps 2020 could see them lose patience and take that path instead,” Hafeez said in Dec. 23 article. “And what better target than Disney? The financials could work. Apple’s market cap of $1.2 trillion dwarves that of Disney ($265 billion). In fact, Apple has over $200 billion in cash on its balance sheet, which alone could almost fund the purchase. The acquisition would give a large library of high-quality content including the Marvel, Star Wars, and Pixar properties. It would also give Apple another entry point into the Chinese consumer market.”
Arlo, GoPro get snapped up
Fortune magazine staff writers predict that more small consumer electronics companies will be acquired in the new year, following Google’s planned purchase of struggling fitness device maker Fitbit.
“Action-camera maker GoPro and security-cam maker Arlo Technologies both trade 80% below their IPO prices, with the market valuing each at less than a single year’s sales. Expect both to be snapped up in 2020,” Fortune said in a Dec. 2 article.
Related article:
Year-ahead predictions in technology IPOs and robotics (Dec. 28, 2019)
Photo: Movie poster for upcoming James Bond action movie “No Time to Die.” (MGM)
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Sunday, September 8, 2019
Post-apocalyptic TV shows ready for comeback
Despite being the age of peak TV, the genre of post-apocalyptic-themed shows peaked three years ago.
In 2016, there were a record 16 post-apocalyptic shows airing on broadcast and cable channels.
Today there are just five such shows and two of those (“The 100” on CW and “The Rain” on Netflix) are scheduled for their final seasons in 2020. The others are AMC’s “The Walking Dead” and “Fear the Walking Dead,” both of which are suffering ratings declines, and “Van Helsing” on Syfy.
I didn’t include “Black Summer” from Netflix as a current show, because it hasn’t been renewed for a second season and now appears to be a one-and-done mini-series.
But more post-apocalyptic-themed shows are in development. So, perhaps there’s a comeback ahead for the genre.
Snowpiercer
TBS will premiere “Snowpiercer” in spring 2020. The long-gestating series is based on the 2013 movie “Snowpiercer,” which was adapted from the French graphic novel “Le Transperceneige.” The series takes place on a globe-circumnavigating train seven years after an attempt to reverse global warming froze the world.
“Snowpiercer” stars Jennifer Connelly and Daveed Diggs. Originally slated for TNT, WarnerMedia moved the show to TBS and approved a second season. (See articles by Entertainment Weekly, Deadline, Wikipedia and WarnerMedia news release.)
The Last Kids on Earth
Netflix is scheduled to premiere the first season of animated show “The Last Kids on Earth” on Sept. 17. It’s based on the New York Times bestselling book series.
The humorous show follows “13-year-old Jack Sullivan and a band of suburban middle schoolers who live in a decked-out tree house, play video games, gorge themselves on candy, and battle zombies in the aftermath of the monster apocalypse.” (See article by Deadline.)
Untitled Walking Dead spinoff
A third show set in AMC’s “Walking Dead” television universe is due to premiere next year. The as-yet-untitled series will follow two female protagonists and focus on the first generation to come-of-age in the zombie apocalypse, according to Variety.
Y
FX is developing a TV series based on the comic book “Y: The Last Man,” which is about the world after an illness wipes out every male on the planet except one man, Yorick Brown. The series, “Y” starring Barry Keoghan and Diane Lane, is set to premiere in 2020. (See FX press release and article by GeekTyrant.)
War of the Worlds
Canal Plus, Fox Networks Group Europe & Africa, and AGC Television are making a TV series of the classic H.G. Wells sci-fi novel. It stars Gabriel Byrne and Elizabeth McGovern, according to Variety.
“Set in contemporary Europe, the reimagining will follow the pockets of humanity left on earth following an apocalyptic extra-terrestrial strike,” Deadline said. “The series is due to debut later this year on Canal+ in France, and on Fox in more than 50 markets.”
See
Apple’s new subscription video-on-demand service Apple TV+ has ordered a series called “See.” The drama stars Jason Momoa and Alfre Woodard. It “takes place centuries after a virus wiped out most of Earth’s inhabitants and left the only survivors blind,” Entertainment Weekly reported.
(See Wikipedia article.)
Into the Night
Netflix will introduce its first series from Belgium in 2020, a drama called “Into the Night.” The series “tells the story about retaining humanity in the face of a cosmic disaster, as a flight departs Brussels,” according to Programming Insider.
Here’s the official synopsis from Netflix: “‘Into the Night’ begins with a sudden solar event, as the sun inexplicably starts killing everything in its path. The show centers around the ‘lucky’ passengers and crew of an overnight flight out of Brussels, as they attempt to fly west — into the safety of the dark night. The plane’s manifest is multinational and multilingual, with passengers rich and poor, young and old, civilian and military. The seemingly ordinary travelers share but one thing: A desire to survive the sun — and each other — by any means necessary.”
Reality Z
Netflix is doing a Brazilian remake of the British horror series “Dead Set,” created by Charlie Booker of “Black Mirror” fame. The show depicts what happens on a “Big Brother” type reality TV show when a zombie apocalypse breaks out. The series is set to premiere in 2020.
(See article by Deadline.)
V Wars
Netflix is producing a TV series based on the graphic comic series “V-Wars.”
“V Wars follows the story of a scientist and his best friend, as they face the evolving crisis of a deadly outbreak, that fractures society into opposing factions, potentially escalating to a future war between humans and vampires,” Wikipedia says.
(See articles by CinemaBlend and What’s on Netflix.)
Daybreak
Netflix has ordered a post-apocalyptic dramedy called “Daybreak,” based on the graphic novel of the same name. “Daybreak” follows a 17-year-old high school outcast in post-apocalyptic Glendale, California. The world is “populated by Mad Max-esque bands of marauders, including cheerleaders who have become Amazon warriors and evil jocks, and zombie-like beings known as ‘Ghoulies,’” according to the Hollywood Reporter. Season one premieres on Oct. 24.
Station Eleven
WarnerMedia has ordered a limited series based on Emily St. John Mandel’s bestseller “Station Eleven” for its HBO Max streaming video service. The story takes place after a swine flu pandemic kills most of the world’s population, according to Deadline.
Aeon Flux
MTV is doing a live-action reboot of its animated series “Aeon Flux.” The series is set in a dystopian future and revolves around a young assassin who teams with a group of biohacking rebels to save humanity. (See article by the Hollywood Reporter.)
More post-apocalyptic TV series in the works
Other post-apocalyptic themed shows have been discussed in recent years, but some might have slipped into development hell. Those shows include adaptations of novels “Dawn,” “MaddAddam” and “Who Fears Death.”
Another long-in-development show is “Judge Dredd: Mega City One,” based on the comic book and movie series.
Related articles:
Comprehensive list of post-apocalyptic TV shows
In 2016, there were a record 16 post-apocalyptic shows airing on broadcast and cable channels.
Today there are just five such shows and two of those (“The 100” on CW and “The Rain” on Netflix) are scheduled for their final seasons in 2020. The others are AMC’s “The Walking Dead” and “Fear the Walking Dead,” both of which are suffering ratings declines, and “Van Helsing” on Syfy.
I didn’t include “Black Summer” from Netflix as a current show, because it hasn’t been renewed for a second season and now appears to be a one-and-done mini-series.
But more post-apocalyptic-themed shows are in development. So, perhaps there’s a comeback ahead for the genre.
Snowpiercer
TBS will premiere “Snowpiercer” in spring 2020. The long-gestating series is based on the 2013 movie “Snowpiercer,” which was adapted from the French graphic novel “Le Transperceneige.” The series takes place on a globe-circumnavigating train seven years after an attempt to reverse global warming froze the world.
“Snowpiercer” stars Jennifer Connelly and Daveed Diggs. Originally slated for TNT, WarnerMedia moved the show to TBS and approved a second season. (See articles by Entertainment Weekly, Deadline, Wikipedia and WarnerMedia news release.)
The Last Kids on Earth
Netflix is scheduled to premiere the first season of animated show “The Last Kids on Earth” on Sept. 17. It’s based on the New York Times bestselling book series.
The humorous show follows “13-year-old Jack Sullivan and a band of suburban middle schoolers who live in a decked-out tree house, play video games, gorge themselves on candy, and battle zombies in the aftermath of the monster apocalypse.” (See article by Deadline.)
Untitled Walking Dead spinoff
A third show set in AMC’s “Walking Dead” television universe is due to premiere next year. The as-yet-untitled series will follow two female protagonists and focus on the first generation to come-of-age in the zombie apocalypse, according to Variety.
Y
FX is developing a TV series based on the comic book “Y: The Last Man,” which is about the world after an illness wipes out every male on the planet except one man, Yorick Brown. The series, “Y” starring Barry Keoghan and Diane Lane, is set to premiere in 2020. (See FX press release and article by GeekTyrant.)
War of the Worlds
Canal Plus, Fox Networks Group Europe & Africa, and AGC Television are making a TV series of the classic H.G. Wells sci-fi novel. It stars Gabriel Byrne and Elizabeth McGovern, according to Variety.
“Set in contemporary Europe, the reimagining will follow the pockets of humanity left on earth following an apocalyptic extra-terrestrial strike,” Deadline said. “The series is due to debut later this year on Canal+ in France, and on Fox in more than 50 markets.”
See
Apple’s new subscription video-on-demand service Apple TV+ has ordered a series called “See.” The drama stars Jason Momoa and Alfre Woodard. It “takes place centuries after a virus wiped out most of Earth’s inhabitants and left the only survivors blind,” Entertainment Weekly reported.
(See Wikipedia article.)
Into the Night
Netflix will introduce its first series from Belgium in 2020, a drama called “Into the Night.” The series “tells the story about retaining humanity in the face of a cosmic disaster, as a flight departs Brussels,” according to Programming Insider.
Here’s the official synopsis from Netflix: “‘Into the Night’ begins with a sudden solar event, as the sun inexplicably starts killing everything in its path. The show centers around the ‘lucky’ passengers and crew of an overnight flight out of Brussels, as they attempt to fly west — into the safety of the dark night. The plane’s manifest is multinational and multilingual, with passengers rich and poor, young and old, civilian and military. The seemingly ordinary travelers share but one thing: A desire to survive the sun — and each other — by any means necessary.”
Reality Z
Netflix is doing a Brazilian remake of the British horror series “Dead Set,” created by Charlie Booker of “Black Mirror” fame. The show depicts what happens on a “Big Brother” type reality TV show when a zombie apocalypse breaks out. The series is set to premiere in 2020.
(See article by Deadline.)
V Wars
Netflix is producing a TV series based on the graphic comic series “V-Wars.”
“V Wars follows the story of a scientist and his best friend, as they face the evolving crisis of a deadly outbreak, that fractures society into opposing factions, potentially escalating to a future war between humans and vampires,” Wikipedia says.
(See articles by CinemaBlend and What’s on Netflix.)
Daybreak
Netflix has ordered a post-apocalyptic dramedy called “Daybreak,” based on the graphic novel of the same name. “Daybreak” follows a 17-year-old high school outcast in post-apocalyptic Glendale, California. The world is “populated by Mad Max-esque bands of marauders, including cheerleaders who have become Amazon warriors and evil jocks, and zombie-like beings known as ‘Ghoulies,’” according to the Hollywood Reporter. Season one premieres on Oct. 24.
Station Eleven
WarnerMedia has ordered a limited series based on Emily St. John Mandel’s bestseller “Station Eleven” for its HBO Max streaming video service. The story takes place after a swine flu pandemic kills most of the world’s population, according to Deadline.
Aeon Flux
MTV is doing a live-action reboot of its animated series “Aeon Flux.” The series is set in a dystopian future and revolves around a young assassin who teams with a group of biohacking rebels to save humanity. (See article by the Hollywood Reporter.)
More post-apocalyptic TV series in the works
Other post-apocalyptic themed shows have been discussed in recent years, but some might have slipped into development hell. Those shows include adaptations of novels “Dawn,” “MaddAddam” and “Who Fears Death.”
Another long-in-development show is “Judge Dredd: Mega City One,” based on the comic book and movie series.
Related articles:
Comprehensive list of post-apocalyptic TV shows
Sunday, June 30, 2019
Time to shame McDonald’s, Walgreens and others for their toxic, wasteful paper receipts
I recently learned about the environmental impact of paper retail receipts.
A group called Green America released a report on June 25 about retailers with the best and worst practices regarding sales receipts. Of the 36 companies studied, those that got the best marks offered electronic receipts and phenol-free paper receipts.
Only three retailers in the study got A grades for offering digital receipts and phenol-free paper receipts: Apple, Ben & Jerry’s and Best Buy. The rest fell short, most by a lot.
Green America estimates that U.S. paper receipts consume over 3 million trees and 9 billion gallons of water each year. It said that receipt production generates over 4 billion pounds of greenhouse gases (the equivalent of 450,000 cars on the road) and 302 million pounds of solid waste.
What’s worse, many retailers are using paper coated with toxic chemicals, namely bisphenol A (BPA) or bisphenol S (BPS).
Nobody likes receipts. We’ve just gotten used to receiving them. More retailers need to ask consumers if they want or need a receipt before automatically printing one. When I’m asked if I want a receipt, I almost always say no. If there’s an email receipt option, I choose the electronic option. I get receipts emailed to me from Best Buy, Home Depot, Office Depot and small businesses that use Square.
Green America is on the right path with this crusade to get retailers to change their practices. I think Americans can get behind this cause, unlike unpopular moves like banning plastic straws. But I don’t think the group should promote new state or federal laws at this point. Instead, I think it should get companies to change their behavior by shaming them and getting shareholders and customers to push for change.
The group can start with the worst offenders. It gave D ratings to 17 companies. They include pharmacies Walgreens and Rite Aid; grocery chains Safeway and Aldi; restaurants Burger King, Chipotle, McDonald’s, Panda Express, Subway, Taco Bell and Wendy’s; and retailers 7-Eleven, Claire’s, Family Dollar, Petco, TJX Companies and Walmart.
Green America’s “Skip the Slip” campaign is a righteous one.
Photo: Skip the Slip graphic by Green America.
A group called Green America released a report on June 25 about retailers with the best and worst practices regarding sales receipts. Of the 36 companies studied, those that got the best marks offered electronic receipts and phenol-free paper receipts.
Only three retailers in the study got A grades for offering digital receipts and phenol-free paper receipts: Apple, Ben & Jerry’s and Best Buy. The rest fell short, most by a lot.
Green America estimates that U.S. paper receipts consume over 3 million trees and 9 billion gallons of water each year. It said that receipt production generates over 4 billion pounds of greenhouse gases (the equivalent of 450,000 cars on the road) and 302 million pounds of solid waste.
What’s worse, many retailers are using paper coated with toxic chemicals, namely bisphenol A (BPA) or bisphenol S (BPS).
Nobody likes receipts. We’ve just gotten used to receiving them. More retailers need to ask consumers if they want or need a receipt before automatically printing one. When I’m asked if I want a receipt, I almost always say no. If there’s an email receipt option, I choose the electronic option. I get receipts emailed to me from Best Buy, Home Depot, Office Depot and small businesses that use Square.
Green America is on the right path with this crusade to get retailers to change their practices. I think Americans can get behind this cause, unlike unpopular moves like banning plastic straws. But I don’t think the group should promote new state or federal laws at this point. Instead, I think it should get companies to change their behavior by shaming them and getting shareholders and customers to push for change.
The group can start with the worst offenders. It gave D ratings to 17 companies. They include pharmacies Walgreens and Rite Aid; grocery chains Safeway and Aldi; restaurants Burger King, Chipotle, McDonald’s, Panda Express, Subway, Taco Bell and Wendy’s; and retailers 7-Eleven, Claire’s, Family Dollar, Petco, TJX Companies and Walmart.
Green America’s “Skip the Slip” campaign is a righteous one.
Photo: Skip the Slip graphic by Green America.
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